Henri Dutilleux 3 strophes sur le nom de Sacher pour violoncelle solo (1975/1982): 3. Work type: Solo Instrument: Credits: Henri Dutilleux composer Composed: 1976: Parts: 1. 2 'Le Double' Le Loup Metaboles Timbres, espace, mouvement - La nuit etoilee Mystere de l'instant The Shadows of Time Le Loup – fragments symphoniques Tout un monde lointain (Concerto for cello and orchestra) Trois strophes sur le nom de Sacher L'Arbre des songes (Concerto for violin and orchestra) Sur le meme accord (nocturne) Sonnets (2) by Jean Cassou San Francisco Night Correspondances for Soprano and Orchestra Le Temps l’horloge Piano Sonata Preludes (3) Figures de resonances Tous les chemins. Henri Dutilleux Two Sonnets by Jean Cassou Il ny avait que des troncs dechires - Vehement et agite. 3 Strophes sur le nom de Sacher Weighted Rating. This symbolic image, as well as the notion of a seasonal cycle, inspired my choice of 'L'arbre des songes' as the title of the piece.Ivan Hewett surveys recordings of music by Henri Dutilleux, a composer with a unique voice who took inspiration from the tradition of Ravel, Debussy and Roussel, but created a sound world of sensuous harmony and colour that was all his own.ĭUTILLEUX: Symphony No. Dutilleux explained that this process of continual growth and renewal is at the heart of L'arbe: "All in all the piece grows somewhat like a tree, for the constant multiplication and renewal of its branches is the lyrical essence of the tree. ![]() The effect is analagous to the experience of hearing a set of variations without first having heard the initial statement of the theme. Instead, he intentionally blurs the distinction between a theme and its transformations, so that one can only identify the contours of an idea as it gradually emerges throughout the a work. Rarely does he present a fixed initial idea which is subsequently developed. With a family fortune based on a controlling share of the Hoffman-LaRoche pharmaceutical empire, he commissioned works from some of the century's greatest composers. This insight influenced Dutilleux's manner of presenting and developing thematic material. Henri Dutilleux Trois strophes sur le nom de Sacher Swiss conductor Paul Sacher (1906-1999), founder of the Basel Chamber Orchestra, was an immensely important figure in 20th-century music. The difference between the theme and its re-statement is defined by the intervening transformations. It should be pointed out that the second statement of the theme is not (superficial impressions notwithstanding) a literal replication of the initial idea. In L'arbre des songes, the three parenthetical sections - explicitly identified in the score as "interludes" - are given far greater importance as demarcation points of the four actual "movements."ĭutilleux was fascinated with the organic equilibrium, in music, attained when a set of variations follows a theme and then returns to it. This idea was modified in his string quartet Ainsi la nuit (1976), which is configured in seven parts separated from each other by short sections that the composer described as "parentheses" serving either as transitions to new ideas or meditations on preceding ones. In his Tout un monde lointain (1970), Dutilleux subtly delimited the five connected movements by brief moments of repose. Stravinsky: Suite Italienne pour violoncelle et. ![]() In his notes to this composition, Dutilleux explains that the convention of dividing a work into movements separated by pauses often has the effect of impairing the power of enchantement. Sonate pour violoncelle et piano Dutilleux: 3 Strophes sur le nom de Paul Sacher pour violoncelle solo. The process of unification is present on two interrelated levels: form and thematic development. Completed in 1985, Dutilleux's violin concerto L'arbre des songes ("The Tree of Dreams") is the culmination of his experiments in unifying large-scale works. Henri Dutilleux's small but important output demonstrates a remarkable originality of form and technique.
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